당신은 주제를 찾고 있습니까 “hughes and kettner tubeman ii – Hughes \u0026 Kettner Tubeman 2 Playthrough“? 다음 카테고리의 웹사이트 https://you.khunganhtreotuong.vn 에서 귀하의 모든 질문에 답변해 드립니다: https://you.khunganhtreotuong.vn/blog. 바로 아래에서 답을 찾을 수 있습니다. 작성자 Benjamin Liberto 이(가) 작성한 기사에는 조회수 5,785회 및 좋아요 50개 개의 좋아요가 있습니다.
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Hughes and Kettner Tubeman 2 Tube Guitar Recording Preamp Playthrough
Recorded with a Focusrite 18i20 capturing the Cabinet Emulated Output
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Hughes & Kettner Tubeman 3-Channel Guitar Recording Station
Hughes & Kettner Tubeman 3-Channel Guitar Recording Station MKII · Own one like this? · Featured Listing · Own one like this? · Compare Listings · Sort by · Condition.
Source: reverb.com
Date Published: 8/6/2021
View: 3929
User reviews: Hughes & Kettner Tubeman MKII – Audiofanzine
A beautiful clear, a crunch to cry when the saturation., I like, but do not over re the gain (although nice on a small bowl). Its very hot. The equalization …
Source: en.audiofanzine.com
Date Published: 5/27/2021
View: 3788
TECHNOLOGY OF TONE – History – Hughes & Kettner
Delivering fat tube-driven tone in a handy, portable format, the Tubeman plugs into the front end of amps and serves up sweet sound direct-to-desk. To this day, …
Source: hughes-and-kettner.com
Date Published: 5/13/2021
View: 8699
Hughes & Kettner Tubeman MK2 – Equipboard
Go straight to the console with rich tube-amp sound! A new version of the acclaimed Tubeman has revamped circuitry for even greater expressiveness and …
Source: equipboard.com
Date Published: 7/2/2021
View: 5135
HUGHES & KETTNER TUBEMAN 2 – eBay
HUGHES & KETTNER TUBEMAN2 preamp An epoch-making preamplifier that can produce the sound of Hughes & Kettner. It looks very cool and you can get excited …
Source: www.ebay.com
Date Published: 8/11/2021
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Hughes and Kettner Tubeman II – Houston Music Reviews.com
The H&K Tubeman is a floor guitar preamp. It has 3 channels – Clean, Crunch and Lead, all footswitchable with its own dedicated switch.
Source: www.houstonmusicreviews.com
Date Published: 8/3/2022
View: 7983
SERVICE DOCUMENTATION Tubeman II
GD/ 18.11. 99. SERVICE DOCUMENTATION. Tubeman II … Tubeman II no. schematic position … print: Hughes & Kettner. E 970 254. 35 screws pane.
Source: linxlabs.narod.ru
Date Published: 8/6/2021
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Hughes & Kettner Tubeman II Test – Bonedo
Hughes & Kettner Tubeman II Test. Robby Mildenberger. 10.12.2008. Produktbewertung 3,5 / 5. Kommentare vorhanden 2. Seit Mitte der 80er Jahre entwickelt und …
Source: www.bonedo.de
Date Published: 10/25/2022
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주제에 대한 기사 평가 hughes and kettner tubeman ii
- Author: Benjamin Liberto
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- Date Published: 2020. 11. 2.
- Video Url link: https://www.youtube.com/watch?v=RxxR1lq7l6E
User reviews: Hughes & Kettner Tubeman MKII
Hughes & Kettner Tubeman MKII
(This content has been automatically translated from French)
It is therefore a tube preamp (1 * 12AX7) that delivers the power of the amplifier to which it is connected (in my case, a Lionheart 20W).
It connects with two jacks (one for connecting the pedal to the amp and one to connect the guitar) and includes a power supply.
Level settings: 3 channels:
A clear channel with a knob for volume,
Crunch channel with two knobs: one for volume and one for the saturation level,
Channel saturated with 3 knobs: volume, level of saturation. and voicing.
Add this to: Joint equalization with adjustable bass, midrange and treble + volume general.
I put 7 because there is no bypass, once the preamp plugged one is obliged to use it without being ab…
Read more
It is therefore a tube preamp (1 * 12AX7) that delivers the power of the amplifier to which it is connected (in my case, a Lionheart 20W).
It connects with two jacks (one for connecting the pedal to the amp and one to connect the guitar) and includes a power supply.
Level settings: 3 channels:
A clear channel with a knob for volume,
Crunch channel with two knobs: one for volume and one for the saturation level,
Channel saturated with 3 knobs: volume, level of saturation. and voicing.
Add this to: Joint equalization with adjustable bass, midrange and treble + volume general.
I put 7 because there is no bypass, once the preamp plugged one is obliged to use it without being able to use the amp’s preamp.
UTILIZATION
At first glance, it looks so simple (I do not think anyone is likely to destabilize face a dozen knobs).
As to get a good sound, it’s another story: the clean channel does about the road when I pass on the neck pickup of my guitar, otherwise it is unusable in my opinion.
The other two channels do not pose any problems, they are nickels: it sounds and it sounds strong.
I do not have the manual (bought used, the previous owner did not have to find any use in manual).
I put 7 again because the clean channel is still very poor.
SOUNDS
It suits my style of music if I want to make metal (sounds metals are not characteristic of Lionheart, that’s why I made this pedal).
I have two guitars: a Schecter C1 Classic with whom I played with this amp (it’s a versatile guitar: I play with it all on my amp oriented blues / rock with pedal and each time it sounds).
The other guitar is another story: it is a Lag The Blues whose output level of microphones is very … very … very high! So I still tried to connect the preamp. but really, it does nothing.
About the settings: Because I am using the clean channel only with the neck pickup of the Schecter, I get the ample (with bass 5/10, mids at 7/10 and treble at 7 / 10. NB: I said that the neck pickup of this guitar is in Duncan SH2).
The crunch channel which allows for a more rock, hard rock (typed a little Deep Purple), I leave the EQ as it is, but then I can return to bridge pickup (NB: SH4). it does not bleed, the sound is crisp and clear and the Lionheart who is a very good amp captures the sound spectrum.
Saturated channel is very complete: if I put as much or little saturation and voicing, the sound will change completely: if I set to minimum (below 5/10 for each knob), I get a his very special, as if I had plugged an overdrive playing on the clean channel. on the other hand, if I push it all to 8 or 9/10, there I go really sounds bourrines property: if I had I would feel almost level attack to play Steve Vai (but hey it is a matter level). In addition, I tested this pedal with an Ibanez and Dimarzio equipped does not sound like either (like what the amp does not mistreat are generated by the guitar). To summarize: it is really the asset channel preamp.
In sum, it is very easy to understand now that I prefer the sound: the crunch channel with the EQ set as I described above, and the channel saturation which is very complete.
The sound that I do not like: clear channel bridge pickup regardless of the setting of the equalizer.
I put 8 because excellence could not be achieved if all sounds I had liked.
OVERALL OPINION
I use since July 2012, it should be 8 months (which gave me time to explore much of the sound of the beast).
I have not tried any similar product model, I simply test this stuff up before you buy.
Feature that I like most: the variations of sounds you can get on the channel saturation., Price.
Feature I like least: no bypass, poverty clear channel.
As I said above: the price at which I got (€ 140 while the price new is € 375: more than two and a half times cheaper) is perfect for 140 € I play metal well nag no need to ruin me buying another amp head to a minimum of 300 €.
With experience, I do not know if I would do this choice: it is a question of resources and availability (I do not buy my gear that opportunity because I do not trust the Internet for this type of equipment and prices in shops are prohibitive).
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TECHNOLOGY OF TONE
… is what we’ve been about from day one. And since that day, we’ve been living up to our performance promise of making great tone accessible to discerning players. Designed with sophisticated simplicity in mind, our tone-sculpting tools are conduits for inspiration. Plug in, put on unforgettable performances, and relish those magic moments in a guitarist’s life. But great tone is not alchemy or weird science. It’s a capability built on passion and know-how. Even after all the years marked by so many milestone achievements, that passion burns as brightly as ever.
1984 When Mr. Hughes and Herr Kettner first met, Mr. Hughes was on a tone quest, looking to enrich players’ sonic palette with more soulful means of expression… Read more
MR. HUGHES & HERR KETTNER When Mr. Hughes and Herr Kettner first met, Mr. Hughes was on a tone quest, looking to enrich players’ sonic palette with more soulful means of expression… A glockenspiel’s chime, the snap and snarl of a junkyard dog, the seductive wail of Siren’s song, the thunderous rush of a passing freight train, the howling of a keening jackal, the malevolent grind of a chainsaw biting into metal – could an amp really be made to do all this? Engineering whiz Herr Kettner had his eyes on a very different prize. Envisaging a compact amp that would deliver fully-formed sounds including effects at the touch of a button, he sought to do what has never been done before. And he wasn’t averse to doing better what has already been done. So began an impassioned collaboration that continues to this day.
1985 The AS64 was the earliest Hughes & Kettner guitar amp… Read more
AS64 …and the world’s first fully programmable guitar amp. It soon went from raising eyebrows to making the Hughes & Kettner brand known around the globe.
1987 Amp designers got a lot of mileage out of the successful concept behind the Cream Machine over the years. Read more
SOUND MACHINES Amp designers got a lot of mileage out of the successful concept behind the Cream Machine over the years. It featured prominently in the Crunch Master (USA: Blues Master), Metal Master (USA: Metal Shredder) and Bass Master (USA: BATT). Professional guitarists, keyboardists and bassists were quick to embrace these amps. Today mint specimens are highly sought-after classics.
1988 The ATS series was the world’s first pairing of tube preamps… Read more
ATS 100 The ATS series was the world’s first pairing of tube preamps with solid-state power amps to be produced on a mass scale, thus foreshadowing the megatrend to come, hybrid amps.
1989 The inceptive RED BOX was the first guitar cabinet emulator on the globe. Read more
RED BOX The inceptive RED BOX was the first guitar cabinet emulator on the globe. A resounding success from the moment it hit stores, the name RED BOX soon became the generic term worldwide for this new category of product. It’s so pervasive in the USA that it’s used as a verb as in “I red-boxed my amp.” The RED BOX has been constantly evolving, with the fifth generation arriving in 2013.
1989 The first Hughes & Kettner offering for bassists, the Fortress came with… Read more
Fortress The first Hughes & Kettner offering for bassists, the Fortress came with an innovative preamp featuring a tube-driven input stage and an unprecedented voicing section. Giants of bass like Jack Bruce were Fortress fans.
1991 Delivering fat tube-driven tone in a handy, portable format, the Tubeman plugs into… Read more
TUBEMAN Delivering fat tube-driven tone in a handy, portable format, the Tubeman plugs into the front end of amps and serves up sweet sound direct-to-desk. To this day, it’s many studios’ tone-tool of choice for all kinds of instruments.
1991 The mother of all fully programmable, rack-mount tube preamps, the Access’ three channels, 128 memory slots and… Read more
ACCESS The mother of all fully programmable, rack-mount tube preamps, the Access’ three channels, 128 memory slots and integrated MIDI looper also made it the big daddy of every rack. Its counterpart, the VS250 stereo power amp, sported eight EL84 power tubes.
1992 The 19″ version of the MK1 Tubeman was a welcome addition to racks. Read more
TUBEMAN PLUS The 19″ version of the MK1 Tubeman was a welcome addition to racks integrated MIDI looper also made it the big daddy of every rack. Its counterpart, the VS250 stereo power amp, sported eight EL84 power tubes.
1994 Armed with 1.000 watts RMS output power, a dual-channel tube-driven preamp, the ingenious Varimetric EQ… Read more
BASSBASE 600 Armed with 1.000 watts RMS output power, a dual-channel tube-driven preamp, the ingenious Varimetric EQ and other pioneering features such as a notch filter, the BassBase 600 raised the bar for what a bass amp can be and do.
1995 13 tubes and 6 channels in three independent amp structures: The TriAmp was the first to offer all the legendary… Read more
TRIAMP MK I 13 tubes and 6 channels in three independent amp structures: The TriAmp was the first to offer all the legendary amp sounds in a single tube-driven without sacrificing an iota of tone. Switching from one channel to the next automatically reshapes the power amp’s feedback to match the selected preamp, creating three truly independent amps with very different voicings.
1997 The TUBE series was the earliest of Hughes & Kettner’s premium-class, all-tube amp lines. And the TUBE 100 was the first to offer separately adjustable power tube saturation and volume output. Read more
TUBE 100 The TUBE series was the earliest of Hughes & Kettner’s premium-class, all-tube amp lines. And the TUBE 100 was the first to offer separately adjustable power tube saturation and volume output. Amp sounds in a single tube-driven without sacrificing an iota of tone. Switching from one channel to the next automatically reshapes the power amp’s feedback to match the selected preamp, creating three truly independent amps with very different voicings.
1997 Offering the musical qualities of a classic tube-powered rotary cabinet shoehorned into a foot pedal, the Rotosphere still figures prominently in many a legendary axe-slinger’s live and studio rigs. Read more
ROTOSPHERE Offering the musical qualities of a classic tube-powered rotary cabinet shoehorned into a foot pedal, the Rotosphere still figures prominently in many a legendary axe-slinger’s live and studio rigs. The TUBE series was the earliest of Hughes & Kettner’s premium-class, all-tube amp lines. And the TUBE 100 was the first to offer separately adjustable power tube saturation and volume output.
1998 The Edition series’ extraordinary tone made a big splash when it debuted 1997. Read more
EDITION BLONDE The Edition series’ extraordinary tone made a big splash when it debuted 1997. The Edition One, Surf Edition, Edition Blonde and Silver Edition would go on to become one of the world’s most successful line of solid-state guitar combos.
1999 The second version of the Hughes & Kettner classic came in the popular TubeTools format. Read more
TUBEMAN MK2 The second version of the Hughes & Kettner classic came in the popular TubeTools format.
1999 “Wow and flutter at its best!” Packing the tonal personality of a classic tape delay unit into the pedal format, the Replex remains popular with many professionals to this day. Read more
REPLEX “Wow and flutter at its best!” Packing the tonal personality of a classic tape delay unit into the pedal format, the Replex remains popular with many professionals to this day.
2000 Called “The boss of modeling amps” by Guitar Player Magazine, the zenTera impressively demonstrated what remarkable tones and features can be achieved with digital technology. Read more
ZENTERA Called “The boss of modeling amps” by Guitar Player Magazine, the zenTera impressively demonstrated what remarkable tones and features can be achieved with digital technology.
2002 With its stunning visuals, the TriAmp MK II raised the bar for design several notches. Read more
TRIAMP MK II With its stunning visuals, the TriAmp MK II raised the bar for design several notches. Since the TriAmp MK II first graced a stage, its trademark blue glow has become a beacon signaling great tone and outstanding performance.
2006 This was the world’s first fully programmable analog tube amp. Read more
SWITCHBLADE MK I This was the world’s first fully programmable analog tube amp.In 2006, the evolutionary advance set into motion by the AS64 22 years earlier culminated in the Switchblade. Its recipe for success was to replace the potentiometers found on conventional amps with Programmable Resistor Networks. Each of these rotary controls consists of 256 individual resistors and 256 switches, and a memory with the ability to recall every switch’s position. The amp saves every knob’s setting and can recall it at the touch of a button. Only Hughes & Kettner has mastered the science of conjuring 128 sounds out of a tube amp without having to turn a knob!
2009 The Coreblade is widely hailed as the world’s most advanced professional tube amplifier for the touring artist. It’s as programmable as the Switchblade; what’s more, it saves sounds straight… Read more
COREBLADE The Coreblade is widely hailed as the world’s most advanced professional tube amplifier for the touring artist. It’s as programmable as the Switchblade; what’s more, it saves sounds straight from the amp to USB stick so artists can travel with no more than an axe and a stick. Coreblade owners can even swap sounds in a flash. And courtesy of TSC (Tube Safety Control), it’s peerless when it comes to reliability. Who would have thought tube management could be a blessing rather than a burden for busy gigging guitarists and their technicians? With peace of mind built in, a maintenance-free tube power amp is certainly a valuable asset on the road. But the confidence that comes with knowing the amp will shine with stellar tone at every venue is priceless. That’s progress in the spirit of rock ‘n’ roll.
2011 In these amps went Mr. Hughes and Herr Kettner’s consummate craft and over a quarter of a century’s passion for tube tone; out came TubeMeister,… Read more
TUBEMEISTER In these amps went Mr. Hughes and Herr Kettner’s consummate craft and over a quarter of a century’s passion for tube tone; out came TubeMeister, a remarkably compact and beautifully designed instrument. With the benefit of German engineering, TubeMeister can go from clean to mean and from a roar to a whisper, shaking planks on stage, tingling spines in the studio, and raising goose-bumps in the still of night. The built-in power soak brings the sound of the big stage into players’ own four walls, and the integrated Red Box lets them lay down professional-quality tracks direct to desk any time day or night.
2013 GrandMeister offers all the features that made the TubeMeister series so successful, plus our proprietary Programmable Resistor Network pots introduced in 2006 with the Switchblade. Read more
GRANDMEISTER GrandMeister offers all the features that made the TubeMeister series so successful, plus our proprietary Programmable Resistor Network pots introduced in 2006 with the Switchblade. They put the marvel of fully programmable tube tone at players’ fingertips. And the GrandMeister’s Smart Rotary Controls can also be remote-controlled in real-time via standard MIDI CC commands using any MIDI controller, expression pedals and even an app for iPad. This free app lets players do lots of useful things with presets – store ’em, download ’em from the Web to the amp, and share ’em with friends. And best of all, every glorious sound that GrandMeister conjures is resplendent with analog, all-tube tone.(iPad is a trademark of Apple Inc.)
2015 TriAmp Mark 3 is the astonishing result of 30 years of passion, knowhow and expertise combined with an absolute freedom of engineering. Read more
TRIAMP MARK 3 TriAmp Mark 3 is the astonishing result of 30 years of passion, knowhow and expertise combined with an absolute freedom of engineering. Featuring a range of professional guitar sounds not offered by any other amp anywhere on the planet, TriAmp Mark 3 offers players breathtaking versatility, inspirational tonality, and unparalleled ease and joy of use. It’s a totally new experience for guitarists: each of TriAmp Mark 3’s six independent channels represents a whole era of tone, and each can be routed to three independent tube power amps.
The game changes right now!
20?? to be continued.. Read more sooooon…
Hughes & Kettner Tubeman MK2
Go straight to the console with rich tube-amp sound!
A new version of the acclaimed Tubeman has revamped circuitry for even greater expressiveness and response. With 3 channels for clean, crunch, and lead. Its speaker simulation has been upgraded to match that of the new Red Box Pro. 3-band EQ and a voicing control in channel 3. It performs channel switches instantly and free of clicks, and has output both to the mixer and to a power amp.
HUGHES & KETTNER TUBEMAN 2
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Hughes and Kettner Tubeman II
The H&K Tubeman is a floor guitar preamp. It has 3 channels – Clean, Crunch and Lead, all footswitchable with its own dedicated switch.
All 3 channels share the same eq controls and master volume control.
The controls are as follows:
-Clean channel has only a Volume control knob
-Crunch channel has Gain and Volume controls
-Lead Channel has Gain, Voicing and Volume controls
-Eq = low, mid, high
The unit houses one backlit preamp tube (12ax7) which according to H&K injects some non-linearity (analog feel) to the sound.
There is one guitar input unit on the amp and 2 outs – one is a mixer (speaker emulated) output while the other one is for use with a guitar amp.
The unit is housed in a roadworthy metal case that looks like it can take some beating and still perform well.
The H&K comes with an included proprietary power supply and cannot operate on batteries.
I’ve found that the H&K has some great sounds – from clean country and ballad to mild and rock overdrive to some searing metal tones, all in one box and at the tap of a switch. The clean channel is pretty much whatever they’ve given you – all you can control is its volume. Although, it doesn’t have a lot of control features it sounds as it says, in other words, clean. It is very useful for some chord work or a clean ballad solo. The Crunch channel goes from mild bluesy overdrive when the Gain is low to some more aggressive rock tones, close in sound to something like the rhytm work in AC/DC albums. The Lead channel is the star of the show – it roars like James Hetfield or gets smooth like a Santana solo. When the Gain is more backed up in can get close to sound to the Crunch channel. Increasing the Gain can put you in metal territory. The Contour switch is something akin to a Marshall Presence control – it controls the amount of bite in the mid frequency.
The H&K has designed this pedal mainly for the home studio recordist so they’ve put their famous Redbox amp/speaker sim technology in the mixer output on this pedal. I can say that it is probably the closest in amp simulation that anything hardware has gotten to the real thing. The other output of the Tubeman can go to a guitar amp so this pedal also feels good on stage. You can think of it as becoming a three channel preamp when in that capacity. A setback in this situation is the lack of full bypass switch – you cannot turn it off as it has to be always on. Another small minus for me was the fact that it comes only with one dedicated eq that controls the whole unit. I didn’t find this as bad because usually most of the sounds worked well with one eq and the Contour switch on the Lead channel is so well designed that you don’t really feel this box lacking in the eq department. The eq itself is responsive and very well voiced.
Another aspect of the design that seemed a bit strange was the use of a proprietary power supply. In this case if you lose it while you’re going to a gig or leave it at home on your way to the studio you’re pretty much in trouble. I am sure H&K would be happy to sell you another one but it could definitely be a problem if you need to use your Tubeman right away. I think the main thinking behind the proprietary design on the power supply was the fact that it runs the juice slightly hotter at 12 volts instead of 9 volts probably because of the included tube. Again – not really an excuse because Radio Shack also sells power supply that goes all the way up to 18 volts!
Another thing that is a bit strange is that the guitar input on this box is on the back left hand side making it a bit harder to incorporate into a pedalboard.
This pedal overall screams quality and versatility, and it should considering its price. It is not cheap but you definitely get the signature H&K sound for a fraction of their amplifier price. As far as direct competition I can see the Sansamp TRI-AC as a close contender for half the price but it cannot dish out as much gain as the Tubeman, yet has 3 preamp voicings opposed to H&K’s one.
Similar products: Sansamp TRI-AC, Sansamp GT2, AMT DT-2 , Tech21 Double Drive 3X , AMT DT-2 Distortion Factory
Hughes & Kettner Tubeman II Test
Seit Mitte der 80er Jahre entwickelt und fertigt die deutsche Firma Hughes & Kettner aus dem saarländischen Sankt Wendel erfolgreich elektronisches Equipment für Gitarristen und Bassisten. Den Start schaffte die von Lothar Stamer und seinem Bruder Hans gegründete Firma mit dem Bau von Lautsprecherboxen, ab 1986 wurden auch Instrumentalverstärker entwickelt, gebaut und vertrieben. Geräte wie Tubeman, Rotosphere, Access und TriAmp erweiterten das Sortiment schnell und verhalfen dem Unternehmen zu internationaler Anerkennung.
OLYMPUS DIGITAL CAMERA
Mittlerweile haben sich die beiden Brüder und ihre junge Mannschaft als weltweit anerkannter Hersteller etabliert. Mit den beiden Linien Hughes & Kettner und HK Audio und so erfolgreichen Produkten wie dem AS 64 als erstem vollprogrammierbaren Gitarrenverstärker, dem leichtesten PA-System Light Line, oder dem ersten Vollröhrenverstärker im Taschenformat, der Cream Machine, haben sie sich als innovative Brutstätte ersten Ranges einen Namen gemacht. Unser Kandidat Tubeman II ist sozusagen die Neuauflage des Klassikers aus eigenem Hause, gedacht entweder als Vorschaltgerät oder als Recordingtool. Was er taugt und wie er sich im Kreise seiner namhaften Konkurrenten schlägt, das soll unser Test ans Licht bringen.
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